Lin Tianmiao's installation Gazing Back sits in her studio.
Hidden within the dusty and unmarked streets of Songzhuang village by the Sixth Ring Road is an oasis of cool green water and soft lilies. The paradise is home to Chinese artists Lin Tianmiao and Wang Gongxin and their 14-year-old son, who are now savoring the fruits of their labor after more than a year of designing and constructing their three-story house.
The space fuses contemporary architecture and dcor with natural elements to create a relaxing and inspiring getaway.
A pair of finches rest in their cage.
"There was no particular style I had in mind when I designed the house. I just used my intuition," said Lin, who works with textiles and prints.
Walking into the living room, visitors encounter a striking juxtaposition of clean white walls with vibrant red, blue and green furniture. One wall is covered with books, which range from Chinese classics to Sculpture Today, while another displays a sizeable collection of CDs and DVDs.
"I'm quite fond of black and white, but the contra
st is too strong, so I decided to add some color," she said. "Looking at a black and white scheme can become tiring.
"I also wanted to distinguish between the living and working space, which is more plain."
In the next room, however, the vivid hues are replaced with gentle pastels and visitors are greeted with a soothing view of the backyard. The room is abundant in fauna and flora, as red-beaked finches nestle quietly in a hanging bird cage and an inky goldfish swims in a cool stone fountain. Outside, the family's rottweiler often lounges idly in the shade of a tree.
A limited-edition wooden sculpture from Africa.
The couple previously lived in downtown Beijing and welcomed the prospect of a cleaner, calmer lifestyle in the village, which is home to many Chinese avant-garde artists.
Both Lin and her husband, who is a video artist, have separate studios in the city center. But they decided to move to the suburbs after realizing that they are "getting older" and don't have as much energy to run around.
They decided to eliminate the commute entirely by dividing the house into living and working areas.
A sofa bed.
In the basement are two studios, an office with a row of flat screen Mac computers, and a well-lit room where workers embroider patterns for Lin. Scattered on the concrete floors of her studio are ivory sculptures shaped like ostrich eggs, in the front of which is a headless crouching figure - Lin's installation, Gazing Back .
Wang's studio includes a sound room, a loft space and recording equipment for shooting videos.
"I work almost exclusively at home," Lin said. "I have my equipment here, my assistants and, of course, my husband and son."
Besides a few pieces from Moscow, the artwork that adorns the walls is mainly their own. The works include some of Wang's oil paintings, which he did before switching to video art, as well as a portrait of a younger Lin in army gear.
Before they dug the basement out and did the landscaping, the couple already had a clear vision of what they wanted. Lin, who had previously designed her sisters' restaurants, carefully planned the layout and decoration.
"For this space, I took into consideration every detail of the design, from the ventilation system to plumbing to electrical lines, as well as the amount of light that each window would let in," she said. "They all have an influence on the ambience of the room."
Lin considers the house to have a "luxury design". Their residence includes an elevator, a sky-lit swimming pool and balconies encircling the house on the top two floors. From the highest floor, visitors have a sweeping view of the neighborhood. They would have added a fourth floor, Lin explains, if there hadn't been a height restriction.
The designing process took five months, and from the engineering of the house to finally moving in took 13 months. Lin said the entire process, including purchasing the land and hiring specialists, cost 2 million yuan. The construction was not without difficulties.
"The measurements and designs for each floor and room were so distinct and unconventional that the company we hired to build it was reluctant to work on it, because the project was so time-consuming and complicated," she said.
A splendid view of the pond, which is landscaped by the artists.
"They were accustomed to building rooms with the same dimensions, but I think following the blueprint makes a building rigid and the result is not as charming."
The end result, Lin said, was incomparable with the original scheme.
"This house is unrecognizable from the blueprints. Much of the design has been changed, and if you look closely, you'll see many flaws," she said.
She conceded it takes time to develop an affinity for a space.
"As they say with Chinese fengshui, there's always a period of adjustment before you can know the different characteristics of each corner," she continued. "I've become more familiar with the space, and I've come to really like it."
For now, the couple, whose son is studying in the US, is focusing on their creative pursuits and relaxing in their work-of-art home.
